Summer Reading Recap, Grown-Up Edition

Hey y'all!

It's summer! And what a glorious summer Seattle is having this year! Temperatures consistently in the 80s with a few 90+ days sprinkled in, day after day of sun. It has been one for the books... and I mean the record books.

But as long as we're talking about books, let me bend your ear about what I've been reading. People talk about "beach reads" and "chick lit" for the summer, and yeah, I read my share of what I call popcorn, but I also tend to reserve my dark and serious books for these bright days. Don't want to be reading depressing stuff when it's dark at 3:30 in the afternoon, oh no.

So what stands out for me in the grown-up fiction realm this summer? Number one is definitely An Untamed State, by Roxane Gay. Followers of this blog will remember that last May I was eagerly anticipating its publication. [Quick plot recap for those who need it, Mireille is a Miami woman kidnapped while visiting her parents in Haiti and held for 13 days before she is released.] The novel exceeded my expectations. It's harrowing and there are some scenes where I just had to pretend I didn’t know what was going on. It’s also authentic, hopeful and compassionate. Gay very skillfully writes about violence without titillation of any kind. I can imagine a person reading some of the torture scenes in The Girl with the Dragon Tattoo and, well, getting off a little. You know? It's hard to resist the push of our culture's misogyny and glorification of violence. I mean, look at Fifty Shades of Grey. But Gay does not allow that in her writing. Mireille has had a bad thing, a series of bad things, happen to her. They are done by men, and Gay's not giving the reader anything but the ugly truth about that. One Goodreads reviewer said that for her, “An Untamed State is about what a woman absorbs.” That’s succinct and true, just like Gay’s beautiful writing. Another theme that stands out in An Untamed State is the notion of before and after in a life. Mireille's imprisonment and recovery both are dark and hard. The after isn't necessarily her release from the kidnappers.

The second novel I loved this summer is The Possibilities, by Kaui Hart Hemmings, a thoughtful book of grief and resilience. Hemmings is probably better known as the writer of The Descendants, which was made into a George Clooney movie a few years back. Like her more famous book, The Possibilities is about relationships’ complexities. Here’s my Goodreads review: “You know how you know and love someone; you think you know them better than themselves maybe even? And you love them, deeply, warts and all? And then they do something surprising. Not out of character, because that suggests they're an actor. Just something that you didn't see coming. That's how this novel is. Hemmings has written a book about long-time friendship and love and family, and I thought I could see where it was going, but then she surprised me with moments so perfect, so unexpected -- the whole novel captures that essence of how complicated and multi-layered people are.”

Stay tuned for more mini-reviews of what we read this summer. Now back to the sunshine… where’s my book?

Anticipation

What are you looking forward to reading this summer? On the top of my list are Roxane Gay's An Untamed State and Donna Tartt's The Goldfinch. I've got my hands on a copy of the latter, but it's enormous! And I just don't think the short intervals of reading time I currently have available will accommodate its heft. It will be nice to have time to savor this book that won Ms Tartt the Pulitzer and that several friends have pronounced fabulous.

An Untamed State has just been released and I'm on the reserve list at Seattle Public Library. I've been following Roxane Gay on Twitter for some time. Have you heard of her? She writes a lot, and teaches at an Illinois university, and did I mention she writes a lot? She's smart, articulate and provides a perspective I have not seen before. She always makes me feel smarter, because she's clearly intelligent and I understand what she's writing. You can read an utterly heartbreaking essay about loneliness and love and reality television in yesterday's NY Times here, a pointed criticism of bell hooks criticizing Beyoncé's feminism here, and a spirited defense of unlikeable female protagonists here.

In her new novel, Gay is gathering glowing reviews for her writing, characters and honesty. Mireille is a wealthy Haitian woman who is kidnapped. This is, apparently, kind of business as usual in Haiti -- people are kidnapped; their friends and family pay the ransom; everyone wins. But that doesn't happen for Mireille. Her father refuses to pay and, oh dear. Now it's bad. Privilege and power, wealth and class, how to overcome devastating trauma -- Gay addresses some weighty issues here. It sounds utterly harrowing, and I don't usually do harrowing, but it also sounds too good to miss.

On a lighter note, Rainbow Rowell's fourth book, her second novel for adults, is due out in July. Landline follows a couple having marital trouble -- like who doesn't a few years and couple kids down the line? -- but Georgie may have busted the relationship for good this time. Until she stumbles on an unusual way to communicate with her husband that can maybe make a difference. Rowell's characters are true to life and they have great (and believeable) conversations. The books are funny and wise and sexy. I'm going to click on over to SPL right now and see if it's too early to put Landline on reserve.

What's on your summer reading list?

Unlikable Characters

Roxane Gay, my most recent writer crush, has a very thought-provoking article in Buzzfeed about unlikable characters, specifically unlikable women characters. That link is here, but this is the most awesome defense of characters we love to hate by Claire Messud, from the Gay essay:

In a Publisher’s Weekly interview with Claire Messud about her recent novel The Woman Upstairs, which features a rather “unlikable” protagonist named Nora who is bitter, bereft, and downright angry about what her life has become, the interviewer said, “I wouldn't want to be friends with Nora, would you? Her outlook is almost unbearably grim.” And there we have it. A reader was here to make friends with the characters in a book and she didn't like what she found.

Messud, for her part, had a sharp response for her interviewer. “For heaven's sake, what kind of question is that? Would you want to be friends with Humbert Humbert? Would you want to be friends with Mickey Sabbath? Saleem Sinai? Hamlet? Krapp? Oedipus? Oscar Wao? Antigone? Raskolnikov? Any of the characters in The Corrections? Any of the characters in Infinite Jest? Any of the characters in anything Pynchon has ever written? Or Martin Amis? Or Orhan Pamuk? Or Alice Munro, for that matter? If you're reading to find friends, you're in deep trouble. We read to find life, in all its possibilities. The relevant question isn't ‘Is this a potential friend for me?’ but ‘Is this character alive?’”

Wow! Just wow! Isn't that the truth? What would Charlotte's Web be without Templeton? Boring, that's what! 

I often say that I have to love the characters to love a book. Like Messud's hapless interviewer, it's often because I want them to be good people. On my first reading of Emma, for example, I was horrified. Reading about Jane Austen's privileged young woman meddling in her neighbors' lives was terribly uncomfortable for me. I was embarrassed for her. As I have grown as a reader though, I have to come to realize that having to love a book's character/s is not so much about goodness, as it is about recognizing these people, and more importantly, recognizing myself in them. 

My favorite books have characters that I believe in, that I can trust to behave authentically, whether or not I want to share a pie with them. Furthermore, my favorite characters have something to show me about myself. Sometimes that's a good thing and sometimes it's really unpleasant, but in the end I am always glad I made their acquaintance.