Lila, by Marilynne Robinson

Oh my goodness, I am reading and L-O-V-I-N-G Lila, by Marilynne Robinson. Every night, I think -- oh good, it's time to read some more Lila. It's dense though, and so far, I'm only reading it before sleep, so I am forced to take it slowly, which is unusual for me and in this case, good.

Why am I so entranced? Lila, herself, is such a compelling character. A young woman, maybe in her 20s, she's been homeless nearly her whole life. At 4, she was taken away from the people she lived with by the only person who ever showed her any tenderness, a disfigured woman called Doll, and they spent the next 10-15 years "running" from those folks. Eventually Lila walks into a church and feels an immediate and deep connection to the old man up front. Meanwhile preacher John Ames, a widower in his 60s, looks up and notices this woman. She's not pretty, but there is something about her that grabs him. Kismet?

The books starts with their connection and builds out -- Lila's life with Doll, her love for John Ames, Doll's death, how she survived on her own, their marriage, her confusion around faith and existence. It asks the big questions and the small ones. It's funny and heartbreaking and always surprising. Lila is continually distracted by wondering what happened -- to Doll, to her mother, to the folks they traveled with some, to the folks they ran from. Doll would never answer. "Never you mind," was her constant refrain. Her wondering helps her (and the reader) reconstruct or at least imagine the past she was first too young to remember and then was too much a child to question.

I both look forward to seeing Lila through her search for identity and dread coming to the end of the book. When was the last time that happened? I can't think of a time.

Anticipation

What are you looking forward to reading this summer? On the top of my list are Roxane Gay's An Untamed State and Donna Tartt's The Goldfinch. I've got my hands on a copy of the latter, but it's enormous! And I just don't think the short intervals of reading time I currently have available will accommodate its heft. It will be nice to have time to savor this book that won Ms Tartt the Pulitzer and that several friends have pronounced fabulous.

An Untamed State has just been released and I'm on the reserve list at Seattle Public Library. I've been following Roxane Gay on Twitter for some time. Have you heard of her? She writes a lot, and teaches at an Illinois university, and did I mention she writes a lot? She's smart, articulate and provides a perspective I have not seen before. She always makes me feel smarter, because she's clearly intelligent and I understand what she's writing. You can read an utterly heartbreaking essay about loneliness and love and reality television in yesterday's NY Times here, a pointed criticism of bell hooks criticizing Beyoncé's feminism here, and a spirited defense of unlikeable female protagonists here.

In her new novel, Gay is gathering glowing reviews for her writing, characters and honesty. Mireille is a wealthy Haitian woman who is kidnapped. This is, apparently, kind of business as usual in Haiti -- people are kidnapped; their friends and family pay the ransom; everyone wins. But that doesn't happen for Mireille. Her father refuses to pay and, oh dear. Now it's bad. Privilege and power, wealth and class, how to overcome devastating trauma -- Gay addresses some weighty issues here. It sounds utterly harrowing, and I don't usually do harrowing, but it also sounds too good to miss.

On a lighter note, Rainbow Rowell's fourth book, her second novel for adults, is due out in July. Landline follows a couple having marital trouble -- like who doesn't a few years and couple kids down the line? -- but Georgie may have busted the relationship for good this time. Until she stumbles on an unusual way to communicate with her husband that can maybe make a difference. Rowell's characters are true to life and they have great (and believeable) conversations. The books are funny and wise and sexy. I'm going to click on over to SPL right now and see if it's too early to put Landline on reserve.

What's on your summer reading list?

Love letter to Melina Marchetta

Dear Melina Marchetta

How do I love thee? Let me count the ways. Your girls and women: Francesca, Justine, Taylor, Hannah, Evanjalin, Phaedra, Lirah, Quintana. Your boys and men: Will, Thomas, Jimmy, Lucian, Gargarin, Froi.

They are flawed, but they persevere. They hope and dream despite horrendous challenges, and they grow. They develop backbones, morality, depth, and compassion . . . authentically. I remember reading The Piper's Son and feeling so proud of Frankie that she never gave up on Tom. Where did that feeling of pride come from? I had no hand in Frankie's creation. It's a novel, for goodness sake! And yet, there it was: because she feels so real, my heart was filled to bursting with affection and gratification that Frankie grew into such a loyal, loving and wise young woman.

Your novels stand testament to the ability of people to grow, heal and improve themselves, and make a difference in their worlds. Frankie finds her peeps and figures out that you save yourself. Those peeps? A necessary part of it; she couldn't have done it without Justine, Tara, Will, Thomas and Jimmy, but neither her mom nor her friends could do it for her. Your characters move beyond their tragic pasts to meet the future head-on.

Isaboe and Quintana do what must be done to save their people, despite pain, heartache and love. They do not give up; they do not accommodate; they act. Despite his curmudgeonly demeanor, Gargarin is never able to let go of hope. He designs irrigation canals for a king he despises and a people who have turned their backs on him. He despairs, but makes himself "lean to the side of wonder," day in day out.

I love your worlds: from contemporary Australia, both urban and rural, to fantasy island. I see the outback, the mountains, the gravina. I love that we can't lump the bad guys together. Yes, there are truly heinous individuals, but no nationality or ethnic group is all good or bad. In Finnikin of the Rock, we are shown the horrors of war, and we accept that Charynites are the enemy. But then in Froi of the Exiles, we meet some of the good people of Charyn and suddenly good and evil are not so simple. We are set up to hate the Townies and the Cadets in Jellicoe Road and slowly realize, with Taylor, that the whole war is a game, and that Chaz and Jonah are really great guys.

I love that you write realistic fiction based on what you know, whether your characters live with cellphones and Facebook or in some fantasy world. In the Lumetare Chronicles, I was reminded of the Khmer Rouge, Darfur, and Syria in 2013. I love that you remind us that "we have met the enemy and he is us": flawed, complex, amazing human beings worthy of love and compassion, in spite of everything.